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1913 saw the introduction of full length feature film in India called Raja Harishchandra directed by Shri Dada Saheb Phalke.
July 2013 ISBN-13 No.989-2-0 Courtesy: Department of Computer Science, R. The traditional values, norms, rituals, customs, beliefs, folk-arts, folk-traditions, and literature in India are all in the process of change due to the impact of cinema and mass-media.
Regional cinemas had their say too, that was quite assertive.
Uma Shankar Sub - Themes – o Socio – Philosophical Perspective of Indian Cinema in Pre – Independent India 4 5-6 7 8 9 10 - 37 o Socio – Philosophical Perspective of Indian Cinema in Post – Independent India 38 - 73 o Socio – Philosophical Perspective of Indian Cinema in Contemporary Times 74 - 130 o Position of Women in Indian Cinema – A Feminist Perspective 131 - 177 o Socio – Philosophical Perspective of Regional Indian Cinema & o Indian Diaspora in Indian Cinema: Cross- Cultural Dialogue 3 178 - 210 PREFACE Social change is an intrinsic feature of all societies across the world.
Usha Mukundan From the desk of the Secretary of Hindi Vidya Prachar Samiti Fore word by Dr.
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ICSSR SPONSORED NATIONAL SEMINAR ON “100 YEARS OF INDIAN CINEMA – ISSUES AND CHALLENGES IN RETROSPECTION (SOCIO-PHILOSOPHICAL PERSPECTIVE)” ORGANIZED BY DEPARTMENT OF SOCIOLOGY AND PHILOSOPHY, RAMNIRANJAN JHUNJHUNWALA COLLEGE, 5 TH AND 6 TH JULY, 2013. Guru Dutt, Bimal Roy, Satyajit Ray, Mrinal Sen, Rithwick Ghatak, Basu Bhattacharya, Adoor Gopal Krishnan, Jabbar Patel, Shyam Benegal, Syed Mirza, Govind Nihlani and many others put Indian Cinema on the World Platform and stand parallel to Andrei Tarkovsky, Michelangelo Antonioni, Armando Olmi, Ingmar Bergman, Jean Luc Goddard, Majid Majidi, Akira Kurosawa and many other. They have left such a deep impact on us that even when you think of any of their films you are on a mystical-transcendental realm rooted on this earth.